Short biography of robert schumann workshop

Among them was a collection of pieces for children entitled Album for the YoungOpus Schumann had written these pieces for his own seven children. He took great delight in being a father and spent a lot of time with his children. He enjoyed taking them on nature walks, playing games with them and making music with them, for them and about them.

These pieces were light, lively, entertaining and imaginative. Among them are KinderszenenOpus 15, which was written for adults to remind them of the innocence of childhood. InSchumann wrote a five-piece set for solo piano. This sweeping work runs the gamut from hymnal majesty to some very difficult-to-play pieces that are well-known for their awkward transitions.

Immediately following composing these pieces, Schumann suffered a nervous breakdown and he was voluntarily committed to a mental institution. He suffered an injury to his right hand; this was in his early twenties. However, he never gave up and started to place a lot of emphasis on piano composition. Consequently Schumann composed a number of pieces during his 20s and was able to perform some of them at public concerts.

Clara Wieck was also a piano player. She was a great concert pianist before the age of She too loved Robert, but her father Frederic Wieck opposed their relationship and refused to give her up in marriage to Schumann arguing that she was under- age.

Short biography of robert schumann workshop

This was after a long legal battle between Schumann and Frederic Wieck about giving consent for Clara to marry him. The union bore several children. As a result Frederic Wieck developed a good relationship with Schumann again because of his love for his grand children. Despite short biography of robert schumann workshop a lot of children, Robert and Clara did not give up concert performances and tours, they even became more famous.

Works [ edit ]. See also: List of compositions by Robert Schumann. KreislerianaOp. Schnell und spielend. Problems playing this file? See media help. Solo piano [ edit ]. Fantasie C majorOp. Sempre Fantasticamente ed Appassionatamente. Moderato, Sempre energico. Lento sostenuto Sempre piano. Problems playing these files? See also: List of solo piano compositions by Robert Schumann.

Arabeske in C major, Op. Arabeske Schumann. Songs [ edit ]. See also: List of vocal compositions by Robert Schumann. Orchestral [ edit ]. Chamber [ edit ]. Andante and Variations, Op. Introduction, Theme and Variations 1—5. Variations 6— Variations 11— Opera and choral [ edit ]. It is a look into the soul. Schumann didn't want anything naturalistic at all.

To Schumann this seemed alien to opera. He wanted to find an opera in which the music had more to say. Recordings [ edit ]. Legacy [ edit ]. Notes, references and sources [ edit ]. Notes [ edit ]. His birth and death certificates and all other existing official documents give "Robert Schumann" as his only names. Many performances cut some of the repeats, but, for example, Sir Colin Davis's complete recording with the Dresden Staatskapelle takes 61 minutes and 50 seconds.

One theory is that tertiary syphilislong dormant, was the cause, and the official certification as death from pneumonia was intended to spare Clara's feelings. This view is given varying degrees of credence by Joan ChissellAlan WalkerJohn Daverio and Tim Dowley, [ 75 ] [ 76 ] [ 77 ] [ 78 ] and is not endorsed by Eric Frederick Jensen, Martin Geck and Ugo Rauchfleisch, who regard the evidence for syphilis as unconvincing.

Tibbetts quotes the psychiatrist Peter F. Ostwald: "Did the man have diabetes, did he have liver disease? Did he have an infection? Did he have tuberculosis? These conditions could be remedied today. We could take X-rays of the chest, we could do a test for syphilis, we could treat those conditions with antibiotics. A bipolar affective disorder is eminently treatable today".

References [ edit ]. Schumann Portal. Archived from the original on 5 July Retrieved 9 June Retrieved 20 May subscription required " 'Jupiter' Symphony". The Oxford Companion to Music. Oxford University Press. January ISBN Archived from the original on 20 May Retrieved 20 May Fuller Maitland, The Times 31 Marchp. Retrieved 28 May Sources [ edit ].

Abraham, Gerald A Hundred Years of Music. London: Duckworth. OCLC Batka, Richard Schumann in German. Leipzig: Reclam. Brody, Elaine Summer Studies in Romanticism. JSTOR In Beate Perrey ed. Cambridge Companion to Schumann. Cambridge: Cambridge University Press. Carse, Adam The History of Orchestration. New York: Dover. Chissell, Joan Schumann Fifth ed.

London: Dent. Dahlhaus, Carl Realism in Nineteenth-Century Music. Schoenberg and the New Music: Essays. Nineteenth-Century Music. Daverio, John Daverio, John; Eric Sams In Stanley Sadie ed. London: Macmillan. Dowley, Tim Schumann: His Life and Times. Neptune City: Paganiniana. Finson, Jon W. Robert Schumann and the Study of Orchestral Composition.

Oxford: Clarendon Press. Robert Schumann. Chamber Music Schumann wrote three string quartets ina fertile period that saw also the composition of the Piano Quintet and a Piano Quartet. Choral and Vocal Music Schumann wrote a number of part-songs for mixed voices, for women's voices and for men's voices. In his final years he wrote a setting of the Mass and of the Requiem Mass.

The solo songs of Schumann offer a rich repertoire, an important addition to German Lieder repertoire. From these many settings mention may be made of the collections and song-cycles Myrthen, Op. Piano Music The piano music of Schumann, whether written for himself, for his wife, or, in later years, for his children, offers a wealth of material.

From the earlier period comes Carnaval, a series of short musical scenes based on the letters of the composer's name and that of the town of Asch, home of Ernestine von Fricken, a fellow-student of Friedrich Wieck, to whom Schumann was briefly engaged. This decade also brought the first version of the monumental Symphonic Studies, based on a theme by the father of Ernestine von Fricken, and the well known Kinderszenen Scenes of Childhood.

Kreisleriana has its literary source in the Hoffmann character Kapellmeister Kreisler, as Papillons Butterflies have a source in the work of the writer Jean Paul and Noveletten a clear literary reference in the very title.