Segantini giovanni biography

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You can help expand this article with text translated from the corresponding article in German.

Segantini giovanni biography

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Trove Italian People Deutsche Biographie. About the artist. Giovanni Segantini Italian. Giovanni Segantini, January 15,Arco - September 28,Mount Schafberg, Pontresina - a stateless artist who was born in Austria, spent his childhood and youth in Italy, and lived most of his life in Switzerland. Segantini lost his father and mother as a child, did not eat up, wandered, stole, lived with a half-sister, learned to read and write only after 30 years, but was accepted into the Brera Art Academy in Milan right away.

Segantini becomes known from the very first participation in a public exhibition, his first picture is bought by the Art Society of Milan, he receives an offer of long-term cooperation from a famous dealer and becomes one of the most sought-after artists in Italy. Features of the artist Giovanni Segantini : Segantini's strongest passion was mountains.

The entire composition is arranged around a diagonal line on which attention is focused and towards which the parallel lines of the sky, mountains, plateau and the plain with its contrasting light converge. The time is suggested by the shadows of the cows and the intense light on their backs. Together with the entire landscape they seem to embody the epic of farm life, its beauty and its misery — through the placid harmony of the colors and precise brushstrokes.

It was considered the first public appearance of Divisionism in Italy: in fact, the use of the Divisionist technique creates a particular tension between the areas of light and shadow, thus accentuating the symbolic power of the image. The small ochre, yellow, gray and whitish, unmixed brushstrokes nervously render the shapes on a tactile, sensual surface.

The emotional and mysterious intimacy of the scene comes from dialectic opposites, of Caravaggesque origin, between the indirect, artificial light coming from the lantern that hangs from the ceiling and the darkness of the barn. The two mothers human and animal are put together with a dual meaning, humble and everyday as well as spiritual and symbolic.

The cow at the manger seems to forget her calf asleep on the segantini giovanni biography, and the sleepy young farmwoman holds her child on her lap as if the two mothers practically do not realize that they are participating in the eternal cycle of life. There is a pair of floating white figures in the foreground and another two in the back, facing inexistent poles and raised towards the Nirvana from the trees that bend towards their hair.

Their destiny and redemption are about to be completed in that terrifying landscape of ice, broken by dead trees in the mountain setting which is none other that Maloja and the valley. Even though this landscape cannot be traced to any definite topographical reference, the detailed description of its features rendered through the use complementary colors does indeed perfectly capture the immobility of crystalline light that is typical of the Alps in summer.

The brushstrokes, divided into long filaments or short, nervously juxtaposed touches create a tactile surface that is amazingly rich in color: the deep blue and vermillion for the sky; the ultramarine blue and dark red for the dress; the ochre and white for the grass, stone or branch. The sculptural figure of the shepherd girl is in perfect harmony with the nature around her.

She is Barbara Uffer, known as Baba, his model from the Savognin period — a young servant girl whom Segantini saw as the incarnation of the typical mountain beauty.