Marc camille chaimowicz biography template

Marc Camille Chaimowicz is an understated pioneer, who has steadfastly sailed against the prevailing artistic winds since the start of his career in London in the s. Many Ribbons. Following the Nazi occupation of France incommunists, Jews and members of the Resistance sought refuge at a local chateau run by the American journalist Varian Fry.

For a short time, it was a safe haven where political dissidents, united in uncertainty, suspended in time, engaged in playful artistic experiments to cope with their bleak realities, while they awaited the arrival of documents that would let them escape to the Americas. Today, little remains of this wartime sanctuary, no monuments, no reminders.

The art of Marc Camille Chaimowicz is rich in nuances. It oscillates in the specific, but at the same time appears abstract and, indeed, other-worldly. Emotional, yet cool. Intimate, yet foreign. His art is cheerful and melancholic. Tasteful, at times almost artificial, but simple. Even the boundaries between public and private space present themselves as soft shades.

But his art is not autobiographic or authentic. The way we furnish our living environments, the way spaces are decorated remains, to some extent, a construction and metaphor.

Marc camille chaimowicz biography template

Just as the things we wear on our bodies, our personal furnishings can provide stability. At the same time, however, they are invariably stage and costume in the script of life. Which were the challenges in creating a new, staged space where the personal becomes political? The pre-existing ways of practice left him dissatisfied; was he surely yearning for the once halcyon days of the Avant-Garde?

Terms such as performance or installation were felt to be an irritant because what was least wanted was to be re classified. It was in this sense that he was then drawn to the unnamed. If I had to describe your shows in one word, that would be hospitable. They blur the boundaries between art and design, private and public, intimate and formal, masculine and feminine.

Can you imagine a world without colour? How would that be for you? One of the best texts ever written on art, in which Genet for whom he is posing recalls Giacometti telling him that he once imagined burying life-size bronze figures deep underground — as though belonging to a defunct time — to not be found until some distant future when even his name would no longer have been remembered!

Such were the musings of two of the finest existentialist minds! But above ground, in the land of the visible, colour matters, of course: it would, after all, be difficult to visualise a bathroom scene by Bernard or a bunch of flowers by Vuillard in black and white. What is your idea of friendship? Retrieved 1 June The Jewish Museum. Serpentine Galleries.

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